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Not only this, but the codes we sell work worldwide as digital downloads, unlike physical products which are sometimes region locked. Because of the savings made in postage costs (as our items are sent digitally), it allows us to provide extremely low pricing. Otherwise you should just be able to download the product from autodesk. Our company helps you save money by importing the games from main distributors in other countries, where games have cheaper retail prices than in countries such as Australia or Israel. We work hard to ensure our prices are always well below retail price, and because the key is sent to you digitally, there are no expensive shipping costs to pay. This means you get INSTANT delivery of your game and software CD Keys! Images of the activation codes are uploaded to our online instant delivery system called Autokey. We offer genuine and brand new game & software keys at rock bottom prices. During the performance, you can use the click track to make sure that music and lighting stay synched at every beat. Slide the clips around to make sure they all line up to the performance the way you want. You can choose from a library of chasers, moving head and other effects, or graphically create effects of your own. Then design your lighting by dragging over lighting effects onto the tracks below it. Start by dragging an audio clip of your performance onto a VenueMagic timeline track, preferably something that includes a click-track in one channel. The secret is in VenueMagic’s unique drag-and-drop timeline approach to show design. Does your lighting seem more like an afterthought rather than the professional mega-concert spectacle you really dream of? VenueMagic will give you that epic lightshow you always wanted and you don’t need a professional lighting designer to do it. Are you a small band wishing you could back your performances with an impressive light show? Are you a tribute band struggling to faithfully live up to the technical prowess of the original? Maybe you can’t afford to add a DMX lighting guy so you settle for a few stage lights in sound activated mode. But we're nearly three years down the road, and technology has moved on. There wasn't a whole lot wrong with the original Motifs, and the technology is still appearing in new gear such as the S90 88-note synth I reviewed last month (albeit with the benefit of the aforementioned Motif software updates built in). Having made the decision to produce a 'next generation' of Motifs, it was a logical step to develop a new chipset that would make these enhancements easy to implement. But some of the requested facilities required hardware changes that would be impossible to retrofit to an existing instrument. In response to user requests, many extra features were added to the original Motif over time by way of software updates. Enter the Motif ES (or 'Expanded System'). Now that Yamaha have decided it's time to upgrade the range, it would seem that they've preferred to take advantage of public familiarity with the Motif name rather than launch a completely new range. Since then, the range has carved quite a niche for itself in a market that has just a handful of major players - the various flavours of Korg's Triton and Roland's recent Fantom S come to mind. Yamaha's Motif family of sampling, sequencing, synth workstations was launched in 2001 (reviewed SOS September 2001). Two and a half years after the launch of Yamaha's impressive Motif workstation synth, the range has been further enhanced and upgraded. |
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